Working with Will Powers has been one of the great gifts of my career. I’m not sure publishing allows for the kind of all-encompassing skill and talent that Will brought to his work any more than other trades do (think of the gifts Will would have brought to the job had he been a professional chef, carpenter, architect, doctor—Oh, they would all have to do with the hands!) but Will’s passions were perfectly suited to our field: his passion for the book arts, of course; the pursuit of intellectual pleasure; the democracy of the word. And, it seems to me, most of all, the discovery of the best in people.
Like many editors, I am a master in the art of no. Show me your prize and I’ll find a way to reject it or tear it apart and have it completely redone. But Will was a master in the Art of Yes. Yes, the budget is tight, but we can do this. Yes, that schedule is crunched, but we can do this. Yes, that text is a conundrum of words and maps and charts and translations, but we can do this. I got so jazzed bringing a unique problem Will’s way and watching him solve it: Hey Will, looks like we’ve got an Arabic publisher interested in our English edition of the Swedish Moberg titles. What say? And then I’d receive e-mails, typed so hard and fast I could hear his fingers hitting the keyboard like an old newsroom reporter on a Smith Corona. I’d have queries and solutions and links to New York Times articles and then maybe a day or two later a sample, borrowed from the local library.
Theologian Sally McFague writes often about the “loving eye” (versus the “arrogant eye") and “to see the world as it is.” Loving it as it is. In that regard Will holds my highest admiration. Being able to see the world as it is, with loving eyes, and engaging it so thoroughly, well, it seems to me that is the Art of Yes. Even if you didn’t know Monk’s music or Marcella Hazan’s recipes or the difference between Bodoni and Baskerville, he would aim to find common ground.
I suppose for Will and me, beyond making beautiful books together, our common ground was storytelling. I’m not a great cook or a music aficionado but I love people and so did Will. I had such fun sharing stories with Will about our working-class beginnings, our travels around these States--bars and restaurants and shop floors filled with noble citizens and troubled misfits alike. I had hoped he might write his own book someday and was prodding him to think about it. It’s clear now that we don’t need that book to get what we need, what we want from his life well lived. It’s clear that his passion is all around us. It’s clear we’ll all aim to see a little more of this world with those loving eyes, with an enthusiasm for common ground, with a hope that we, too, will master the Art of Yes.
Wednesday, September 23, 2009
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3 comments:
Thanks for this. I was waiting for it. I've referenced in on our blog.
I'm still considering leaving the IL history conference Friday night, stopping somewhere in Iowa, and showing up at Open Book on Saturday. I am compelled somehow to be present at the memorial. We'll see.
Lisa--Thanks. See my e-mail. It would be great to see you. Pam
What a beautiful tribute. I like the idea of people's passion being reabsorbed by the universe upon death - guess we all got a little jolt of it when your friend died.
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